Album Review//Janelle Monáe - The Electric Lady
There are many words
have been used to describe the funk prowess of Janelle Monáe and after hearing
the latest album from her concept series, The Electric Lady, there will
doubtless be more.
The first track
proper features her spiritual forebear, the ever Purple genius Prince and if you were expecting horns getting down
and funk grooves a la Tightrope then you’d be wrong – this is a laid back but
tight groove that literally gives us what we love. Give Em What They Love
certainly hits the right spots for an opener and by cleverly placing the Purple
One first we’re listening out only for Monáe herself over the whole album.
Indeed, collaborations
like that can threaten to overshadow a record but its following track is the
super cool Q.U.E.E.N. featuring Erykah Badu – and if you’ve seen the video you’ll
know that this is solid stuff. The funk is in place, the chorus gets the mind
moving and twerking is strictly optional people! Music gold such as this needs
some booty shaking but when you have a while album of it you need to save your
energy.
The title track takes
some Prince like synth and call out vox and even bands in another guest star in
the form of Solange. It’s not as powerful as the sheer funk of Q.U.E.E.N. but
it’s still a winner and that’s all good. The guest artists are mostly packed
into the first quarter and that could be a mistake if we didn’t know that
Janelle Monáe is a force of nature all by herself. The Electric Lady she may be
but there is that very certain electricity coming from this music and that makes
you step back and listen closer.
As the album moves on
we get the soul tinged We Were Rock & Roll, the addictive Dance
Apocalyptic, where the trademark character pieces continue as Monáe brings her
alter ego Cindy Mayweather to the mic. We then end Suite IV with the smoky,
almost classic Bond theme like Look Into My Eyes. If Suite IV were an album by
itself it would be an excellent one – but there’s more as Suite V swings into
the mix with a vintage jazz styled sound that oozes the class you know this
record has.
With a lighter base
than Suite IV we find the soul disco of Ghetto Woman, a song reminiscent of the
timeless seventies soul dance classics that still get feet moving to this day. There’s
an effortless flow to the music – crooning shifting into rap in less than one
funky nanosecond and it’s genuinely exciting to listen to music that seeks to
make you move more than just your mind! As the tracks flow on we get some
slower numbers that show the true range of the artist. Just as engrossing when
slowing the sound right down into a ballad as on Can’t Live Without Your Love,
you really do realise why many label her as a near equal to Prince in terms of
music quality.
Sally Ride again
proves this with an electro blues sound that keeps the replay button in great
business. Album closer What An Experience brings a melodic closure to the more
mellow suite V and although it’s a given that you want more of the energetic
funk experiences Monáe knows how to produce all too easily – you know that you’ve
just listened to an album that takes the eclecticism of a very musical mind and
channels it into a musical experience not to be bettered.
Is Janelle Monáe the
new Prince? It’s difficult to say – especially as the man himself is still as
active as ever – but she’s a very close contender!
Reviewed
by Sebastian Gahan.