Music Review// The Wave Pictures – City Forgiveness
Two discs from a band with
an endless propensity for music making like The Wave Pictures is perhaps a
bigger meal than one would be willing to face at one time ,but here it is
anyway. City Forgiveness is two discs of urban storytelling tinged music that is sometimes
exciting, sometimes quiet but never less than imbued with the spirit of
strolling down a hip cosmopolitan street on a sunny afternoon.
But not always, there are
references to the dead digging themselves up on the distinctly Bowie like
Lisbon –with the poetry come lyrics that could stand up without music to match.
There is also a blackbird on a wire gracing the cover – but no such unnecessary
cover song ever appears here thankfully.
There is enough funk,
acoustic, and frenetic soloing to go around negating any need for any such
frippery. The first disc alone would be a very good album by it self –with notable
highlights including the oddly warming Before This Day, featuring a very poetic
description of an idyllic day away from the city – the perfect emptiness of a
country life.
The urgent intro to Better
to Have Loved is also an instant grower. The jazz like grace to their often
distinctly un jazz -like music is most definitely one reason to love this band
and their songs, especially this one. The aforementioned Lisbon also gets a big
spades up from this writer, with the funk bass that powers it along pleasing
the ears in many ways.
The second disc meanwhile
continues the good work of the first by lounging straight into the blues of
Tropic. This followed by the delicate yet very poetic The Inattentive Reader, a
story of travels and dedications. A highlight, you ask? Why yes! The high energy
guitar returns as well – most notably on the addictive Narrow Lane, with a
distinct Wild West element seeming to come through.
There is much more than
that as well, and with twenty tracks City Forgiveness veers between city tinged
poetry and landscape loving blues experiments almost seamlessly. This album
shouldn’t work, but it really does. There’s something just poetic enough about
its emotional content to make even the casual listener sit back and enjoy.
Reviewed by Sebastian Gahan