On The Scene// TV vs 3-D: Watching 'The Day of the Doctor'
SPOILERS ALERT!
Prologue:
The previous evening had
been a quiet one. Not in any bad way, merely from the point of observation. The
streets outside were quiet, with only the traffic sighing past a very rare
human being. (or Zygon) Last minute shopping was being bought and feet and
engines were pattering their way home or to the cinema to catch the world
premiere of The Day of the Doctor in over 90 countries in a record breaking
simulcast. This writer was in the camp of the former. With the obligatory snacks
prepared it was time to sit down and see if the rumours and predictions of the
past few months have been in any way true…
THE DAY OF THE DOCTOR
(Home)
If you were watching at
home you got a big shock when the original titles and theme began at exactly
7:50 pm. A perfect intro to such a special you can’t argue with its instant
effect of putting you right in the mood for celebration. As we see Clara with a
new job at Coal Hill School receiving a message from ‘her doctor’ the ride, (on
a motorbike, naturally), is only just beginning. Indeed, when the Tardis gets
picked up by Kate Stewart by Helicopter with its residents still inside and clinging
on for dear life, the most filmic element of the whole thing begins. It’s hard
not to love those aerial shots of the Thames with the Tardis in the foreground
and makes for one of the most iconic introductions to the series thus far. Fan or
not, you can’t fail to have been impressed.
As the special continues,
with references to the series past and present aplenty you can’t deny that a
bit of back story knowledge is needed but it flows so well even the casual
viewer will get swept along with the action happily. The return of Tenth Doctor
David Tennant and the introduction of The War Doctor as portrayed so well by
John Hurt plus our soon to depart Eleventh Matt Smith is a trio that works well
together. Poor Clara gets not a lot to do really but in a Time War based story
such as this that is perfectly understandable, with even the Zygons forgotten
about by the time the films stunning conclusion comes.
The cameos from Tom Baker
and (an uncredited) Peter Capaldi are worth the watch alone with the final
scenes reset of the series mythology making for much thought on the direction
future seasons will go. But on first watch it was all rather a lot so a second
viewing was in order.
THE 3-D EXPERIENCE
Our second viewing was at
a packed screening in our local cinema, full of people wearing paper masks of
previous Doctors and monsters and a lot of stripy scarves. Were we here for the
premier many more would have been present but for an encore showing it was a very
full room.
The atmosphere was
tangible despite the level of knowledge already out there and when the lights
went down we got a surprise or three. First up, a warning from Strax to puny
humans about ‘unruly cinema practises’ and then a warning from Doctor’s Eleven
and Ten about Zygons in the building. Then came that Delia Derbyshire theme and we were in for a treat; 3-D has its
detractors precisely for being used inappropriately or as a gimmick but that is
not the case for this presentation of Day of the Doctor.
What looked excellent on
the television screen looked superb on the big screen with the Time War
sequence particularly benefitting from the 3-D treatment. The second view was most
definitely the definitive one for this reviewer. And Tom Baker, with his wide eyes and
instantly recognisable voice is still surprising and very much a highlight.
EPILOGUE
A rewatch of the biopic An
Adventure in Space and Time also proves without a doubt that it’s a gem. But
with so much coverage there had to be some failures somewhere and the BBC3 After
party was, despite so much promise and some great interviews, somewhat lacking.
But the positives of the whole week of programming include the remastered print
of An Unearthly Child, The Science of Doctor Who and the absolute highlights An
Adventure in Space and Time and The Day of the Doctor. A good birthday indeed
by anyone’s standard!
Words
by Sebastian Gahan.