Album Review // OWLLE – France
When Owlle released the
addictive single Ticky Ticky in 2013 it was an important moment. This was dance
imbued dream pop with true cross over potential and none of the song killing
pretension that certain big hitters go in for.
With a stylised but distinctly
art driven look you could be very tempted to mention a certain Lady Gaga… but
please don’t! The music on debut album France is nothing like that at all. With
a shimmering production adding the Dream into Dream Pop Owlle rarely fails to
impress this listener’s ears.
The dreamscape like
production is excellent here – perfectly matched to the singer’s vocal
abilities but never drowning her out completely. With a fashionably short run
of eleven tracks Owlle does many good things throughout from the instantly
attractive single Ticky Ticky to the under-edged Kraut leanings of Don’t Lose
It.
There is definite (and
very understandable) element of French synth pop on display but it’s not the
kind that threatened to annoy you in nightclubs on the continent. Instead, it’s
a kind of warm, life embracing beat that you warm too with very little effort
required. That said, this is still quite an avant garde project in many ways,
from the timeless semi-nude (but not tasteless) jacket design that oozes of an
art imbued sophistication and doesn’t lie.
The music flows by easily,
with barely a need to push the fwd button on your device. This is a good thing,
of course. Many an album that swathes you in such production glory loses its
initial shine on later revisits but France, mostly, doesn’t keeping your ears
on the ball often enough to ignore any faults that are not too major.
Highlights include
Disorder, its gothic lyrics and deceptively dark hued production an excellent
repeat listen, and the wind chime like beauty of Free. But still though it’s so
easy to listen to the whole album and find another, not least Ticky Ticky or
album closer My Light is Gone.
Owlle most definitely
knows to produce a song that will keep your ear listening and your mind logging
it on its melodic server. January is not usually a month that we discover an
album could potentially go on the #essential2014 key albums list, but on the
basis of what we’ve heard so far we’re impressed.
Reviewed by Sebastian
Gahan.