#SRCZ Music Review // Tom Vek – Luck
Tom Vek is back with a new
album in the form of Luck. And it’s well worth your ears!
Opening with the slow
burning How Am I Meant To Know, the album makes it’s mark soon in to the
journey of listening and you’re hooked with the sheer energy of the project in
minutes. Come the bass heavy, shimmering Sherman (Animals In The Jungle) you’re
on a night car journey speeding through mysterious, glimmering cities to an
equally adventurous soundtrack.
As the record continues the
sonic textures get richer, subtle world music stylings on Broke that really add
to the mix perfectly encourage you to listen closer to the genuinely exciting
experimentation of the record. One of the album highlights is Pushing Your
Luck, an angular, dark, synth imbued four minutes of perfection that brings the
album into the territory of compulsive listening.
As the album continues you
can’t help but studiously avoid the pause button or anything similar. It’s rare
these days to listen to an album all the way through without getting distracted
by something, either major or mundane, but Luck keeps your attention in the way
that a favourite record demands your full attention and nothing will stop you
listening with intent.
Of course, this being Tom
Vek it’s to be expected that the music would have a high energy factor, darkly danceable
yet nowhere near the average beats played in the local bar. Vek’s lyrics,
occasionally reminiscent of Sting (especially on Ton Of Bricks if you listen
carefully) are straight forward but opaque enough to intrigue the listener more
than they would perhaps be and their delivery is just right, most often in a
barely there harmony with the music that brings a nicely edged darkness to the
experience.
There are some quiet
moments as well though and even these captivate, illuminating the sonic shadows
with their nervous energy. The Girl You Wouldn’t Leave For Any Other Girl is
one such song, and when the distinctly more animated closer Let’s Pray kicks in
it’s a closure to an album that keeps you on your toes in many ways more than
the obvious.
(S. Gahan)