#SRCZ Album Flashback #31 // Alanis Morissette – Jagged Little Pill
Jagged Little Pill,
despite the assumptions you may make, was not the debut album of Alanis
Morissette. In many ways though, it was a huge step forward from her previous
work. In fact, it’s arguably her best album…
Its 1995, the music
industry is busy, as ever, looking about for the next big thing. Whatever that
was intended to be, Jagged Little Pill was perhaps not the record many would
have imagined would be said big thing. Together with Glen Ballard, the ever
active Alanis Morissette created a landmark recording when they produced Jagged
Little Pill.
Twenty years after its
release, the record has barely aged. The often raw emotions on very vivid audio
display are still as strong, the lyrics still as visual and biting as they were
intended to be. The artist may have moved on, producing a string of successful
but arguably not as satisfying records, but this was the music that caught the
ears of many and deservedly so.
There’s always a risk in
so-called ‘confessional’ rock of revealing way too much but on Jagged Little
Pill, it worked perfectly. The right balance of statement and emotion ensured
it never got too cloying or self-obsessed and the fact that may were put off by
the frankness of some lyrics only serves to show what went right. The songs are
never outwardly personal, always open for the listener to take their own
meaning from and that is perhaps one key point in it’s success.
On tracks such as opener
All I Really Want and the often parodied Ironic there is, underneath the
seriousness, a hidden sense of fun as evidenced in the arrangement of the
songs. The moment in All I Really Want where the music stops for a beat, with
the lyric, ‘Here can you handle this...’ is one moment that still works on
later listening, a half-joking challenge for the person the song addresses.
As the album progresses we
get possibly the most famous line from the album, taken from the powerful and
scarily calm stream of consciousness flow of You Oughtta Know. That line is, of
course ‘…and are you thinking of me when you fuck her?’ and although twenty
years ago that was still mildly shocking to some ears it’s grown into itself to
sound perfectly reasonable in an odd kind of way now. As break up songs go,
though, it’s still up there with the best.
There is though, a moment
on the album that transcends all the darker themes and topics of the record and
it comes a minute or so after Wake Up, the closing track. That moment is the a capella
hidden track Your House, detailing a sneaky visit to a (ex?) lover’s house in
their absence and it’s a touching and smile inducing song that you’ll know if
you’ve navigated the tricky world of hunting hidden tracks on albums.
A later acoustic release
of the album, with some subtle updates, was perhaps somewhat unnecessary in
retrospect. Listening to Jagged Little Pill now there are some minor traces of
the time it was created in but its timeless themes of break up, religion and
frustration with life are still perfectly valid.
(S.Gahan)