ReListen|| Prince and The Revolution – Purple Rain
In the multi-decade long
career of the one they call Prince, Purple Rain is perhaps his defining
moment. It was not lost on the man himself either, despite his countless number
of albums (released and as of yet unreleased), multiple monikers, seemingly eccentric
behaviour and funk hot live shows he still played tracks from that album
almost more than any other of the classic releases in his many tours.
From this writers point of
view, Purple Rain is something of an age counter, being the same age as said
album in terms of year of release. I’ll leave the math to you, but at the time
of writing there is no other album that really defines all that is essential
about Prince than this. There are, of course, many more gems in the Prince
discography but the first reference point for most people is Purple Rain. And what
a reference point it is, from the twin concept to the music itself.
Now, many may say that
Purple Rain the album is much more the classic than the movie it accompanies
and they may be right in some ways. Perhaps the film is saved by the music or
perhaps it was just a fluke but whatever the answer, they are both iconic. But
as it’s the soundtrack we’re focussing on for this feature, let’s go crazy!
Opening as any grand
project should, with a purple tinted bang Let’s Go Crazy asks us if we’re going
to let the elevator get us down and as long it’s music is as powerful as this
song the answer would seem not. And why be miserable when there’s nine tracks
of thrilling funk-rock to get through? The Revolution really make their mark,
throwing down a mean beat that makes you sit up and listen immediately. While they
do that, Prince does what he does best, preach the purple gospel and throw out
guitar licks that will set the crowd on fire.
Out of all of his albums,
we hear perhaps the biggest rock element here of any. There’s lots of other elements of course, but
as the album weaves it’s thread we get the still thrilling I Would Die 4 U, the
still perplexing Computer Blue, the slightly naughty Darling Nikki and of
course that title track.
Truth be told, I’ve never
been able to get through the extended live versions of the song but the album
version just about gets away with its eight minute length before the urge to
say ‘dramatic tension overdone’ kicks in. But in that lies the true appeal of
Prince, when he says he’ll see you in the Purple Rain (it’s never quite
explained what Purple Rain is but it really doesn’t matter!) he means it with
all the conviction his guitar strings can give. (Which is a lot!)
Taken as a whole, Purple
Rain is an album that is far from bad, and very close to excellent. It’s not
career defining, (That’s an honour Sign Of The Times gets) but it certainly is
one of the most focussed of his whole career. And with that focus, comes certain
longevity. You can still listen to Purple Rain thirty years later and say that
it sounds good and, as a plus, it’s barely aged. Even Prince, known to abandon
whole projects on a whim, never to see the light of day again, still plays the
album now which says much for its longevity and key role in his career.
See you in the Purple
Rain? Most certainly!
(S. Gahan)